All evening I was prepared for the snarkily apathetic responses to a certain film holding its world premiere at the Toronto International Film Festival Saturday night. Sadly, there was no Tweet expressing, âCloud Atlas ⦠shrug.â
But there were indeed some claims of âmehâ and âokay,â though perhaps not as many as there were declaring the ambitious effort either a monumental masterpiece or an epic failure. The film, which is based on the David Mitchell novel and adapted and directed by Andy and Lana Wachowski and Tom Tykwer, seems to be this yearâs Inception or Tree of Life, as it parts the waves of criticism more distinctly than even the current American political divide. And, hey, Cloud Atlas actually sounds rather relevant to the presidential election with its apparent themes of history repeating itself and debate over change.
The funny thing about a movie like Cloud Atlas is that the negative reviews seem to be more marketable than the positive. Those who say itâs a narrative mess still tell us to see the film for ourselves, if only because itâs still a marvel of cinema. And critics with the highest praise cut their own exaltations down by stating that a lot of moviegoers are going to hate it, whether because they wonât have the patience or they just wonât get it.
âI am concerned audiences will grow tired and impatient with the storytelling and grow uninterested with what is more of a repetitive theme than a revelatory one,â writes Brad Brevet at Rope of Silicon, âbut whether audiences accept it or not, this is a film that will have people talking and for that we should be thankful.â
Discussion-provoking movies are never a bad thing in my book. The power of the medium to connect and then sever us is so strong sometimes that Iâm surprised no film has ever started a war. Perhaps this could be the one?
âThose that are unmoved by the way this pushes the audience must be, unfortunately, blind to the revelations within,â states Alex Billington at FirstShowing.net. âCloud Atlas is an achievement of the grandest of scales. It may forever change your life.â
The opposition may have their eyes open, only theyâre rolling them, as in the case of The Playlistâs Kevin Jagernauth. He calls the movie a âdully unimaginativeâ effort that âoffers fortune cookie social commentary put in a blender with a handful of thinly interlocking stories, in a failed attempt to say something meaningful about the human condition.â Interestingly enough, in spite of all those saying itâs inaccessible to average moviegoers, Jagernauth argues that itâs the Wachowskisâ âmost mainstreamâ yet.
In a way, the experience of seeing the film with a potentially disunited audience sounds almost as worth a trip to the multiplex as the theatrically necessary visual spectacle. âCloud Atlas is a polarizing film, dividing Toronto audiences down the middle,â acknowledges Matt Patches at Hollywood.com. âbut the finished product still proves mainstream movies can ask questions while laying over explosive action scenes.â
Are the visuals or the questions all that great, though? Eric Kohn of Indiewire calls the movie âa bloated pop spectacle that never holds together but often elegantly flails about, resulting in a noble failure akin to Zack Snyderâs âWatchmenâ treatment for its appropriating of blockbuster ingredients to make sweeping philosophical statements.â
And Jordan Mintzer of The Hollywood Reporter considers it âa movie that yearns to be both arthouse and blockbuster, yet canât seem to make up its mind [...]Â a film that aims for the clouds but is often weighed down by its own lofty intentions.â
Surely there has to be something for everyone if they look under the grandstand. âWhile itâs easy to admire the filmâs massive scope â" and the adroit method in which the film is presented â" itâs hard not to notice that, for all its big ideas, the filmâs more intimate and small than you might expect,â writes Sean OâConnell at Movies.com.
âIn the end, âCloud Atlasâ is a film that dares to imagine something beyond what is typically done in big-budget filmmaking,â concludes Drew McWeeny at HitFix. âIt is easy to be worn down by Hollywoodâs constant stream of remakes and sequels and comic books, but all it takes is one âCloud Atlasâ for me to once again believe that anything is possible if the right artists are given room to experiment. While it may not be for everyone, âCloud Atlasâ is one of my very favorite films this year.â
McWeeny points out, as do others of positive and negative and indifferent response, that this is hardly the last weâll hear about the movie. And not just because it doesnât open to the public until October 26. The debate over Cloud Atlas will continue through the end of this year and probably for many to come. Or, maybe it will just carry over to the next instance of divisive cinema as we critically repeat ourselves over again.
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